Le marchand de sable is a collection of marks left by the artist's sleep. They slept in a big sand box and then made those marks permanent by casting them. This piece was born when their grand-mother was hospitalize and put in palliative care. The bed, a typically private space, became a public gathering place for their family. Death also brings lots of questions about a person traces after their body is gone. By linking the theme of traces to sleep, we can observe uncontrolled movements which are normally unseen. Space is now mark by human activity even in an apparent inactivity. Then, by its' exhibition, this moment of surrender, of vulnerability, becomes visible to everyone.
A visual guide which, with humor, proposes to follow the artist self improvement journey. We see a journey that, through these metaphors, recounts the ups and downs, missteps and moments of abundance that led the artist to be the person they are today. In the style of a pop psychology self-help book, but with crazy steps you would normally skip, the guide promise us a happy life. It's a nod to all those who became a better version of themselves through a complex and messy story.
A dome from which is inspired a series of drawings featuring it. From a bouquet of flowers to headphones, the artist plays with putting the dome in context. The more the ideas fly, the more the dome closes and the more it prevents us from seeing the images facing the inside. The dome thus becomes, gradually, inaccessible in an overflow of ideas.
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Performance-sculpture exploring the theme of materiality and human bodies in the house space. Bodies are placed in various paintings reminiscent of the domestic space. These bodies are paired with other materials and textures that partially blend into a monochrome décor.
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